OTHER REVIEWS
nytheatre.com review of The Information She Carried
Austin Chronicle Review of The Middle of the Night
Austin Chronicle Review of The Mercy Seat
Austin Chronicle Review of Fugitive Pieces
Austin Chronicle Review of bash
Austin Chronicle Review of Bleacher Bums
Austin Chronicle Review of Hedda
Austin Chronicle Review of desire
ARTICLES
United Stages interview with Judson Jones
American Theatre Magazine article about the dirigo group
Austin Chronicle interview with Judson Jones
Austin Chronicle Article about the dirigo group
"Both performers (Jones and Huppuch) bring a suppressed anguish to their roles, an almost unbearable intimation of their shattered possibility for happiness.
"There's no need to suspend disbelief for this coup de théâtre; it's totally believable."
"Judson Jones is excellent as Officer Spierling...Jones’s silences and stammers are full and tender, and genuinely moving,"
"...the two cast members spend their stage time wisely and, quite literally, act up a storm."
"Judson Jones plays a wonderful nebbish...his little tics are a delight to watch..."
"From the moment that Judson Jones' understatedly frantic officer wanders into a hospital emergency room seeking treatment to the moment when he asks to see, socially, the nurse who cared for him and whose brother was killed in the blast, one cares deeply about these two victims of the Haymarket explosion."
"Jones' indecision reverberates throughout his body and face..."
"Judson Jones shakes life into this harried soul, every flinch and twitch and painful memory playing over his face and through his body as if he were moving through an extended fever dream."
"If an actor is supposed to disappear into his role, this sturdy, considerate biker with a background in stage combat and stuntwork is the Invisible Man. From the German student in Soldier Dreams to the blind fan in Bleacher Bums to the Shepardian volcano in Fool for Love, ad glorium, this chameleon is more wizard than lizard."
"...is Judson Jones who owns this play. As Jack, he is menacing innocence, replete with the character’s complexities. It’s hard to imagine anyone else in the role"
"Jones, smoldering as Jack, is wise to reveal his character's monstrous side slowly, acknowledging criminals as the layered, pitiful creatures they are."
